I am Justin Shubow

President of the National Civic Art Society, a non-profit organization headquartered in Washington, D.C. that promotes the classical and humanistic tradition in public art and architecture. Eleventh Chairman of the U.S. Commission of Fine Arts, an independent federal agency comprising seven presidential appointees who are the aesthetic guardians of Washington.

Athenaeum Review Podcast Interview of Me: Modernism, Classicism, and the Built Environment

The Athenaeum Review recently published an hour-long podcast interview of me. Here is the description:

In this episode, we talk with Justin Shubow, President of the National Civic Art Society, about modernism and classicism, the profession of architecture and its role in civil society, public monuments in Washington, D.C., the philosopher Michael Oakeshott, and much more.

In Part One:

On the Eisenhower Memorial, and the role of the General Services Administration in Federal patronage of architecture, for example the Salt Lake City courthouse (2:00) — Is it affordable to build classically today? (8:00) — Can classicism be creative and innovative? (10:30) — Starchitects and expressionism (14:00) — Modernists against classicism: Harvard’s Joseph Hudnut critiques John Russell Pope’s Jefferson Memorial (17:00) — Philosophy, the Zeitgeist and architecture (19:30) — Roger Scruton, the vernacular and architecture (21:30) — Is there anything to learn from Las Vegas vernacular architecture? (25:00)

Listen to Part 1.

In Part Two:

What are the institutional prospects for architectural classicism in America? (2:00) — Are modernism and classicism simply culturally relative phenomena, or can they somehow transcend their place and time? (7:30) — The virtues of the Chrysler Building and Art Deco, the last of the classical styles (13:00) — Classical architecture today: David M. SchwarzRobert A. M. SternAllan GreenbergRoman and Williams (15:00) — On Michael Oakeshott, rationalism and architecture (17:30) — Oakeshott’s political philosophy (23:00) — On philosophy and men’s clothing (26:30) — Joseph Shubow, and the beginnings of an interest in architecture and design (31:15)

Listen to Part 2.

Posted in Eisenhower Memorial, federal architecture, General Services Administration, Jefferson Memorial, menswear, Michael Oakeshott, Rabbi Joseph Shubow, Roger Scruton | Leave a comment

Speaking at AEI About the Executive Order on Federal Architecture – Oct. 19

Salt Lake City Federal Courthouse, opened 2014

In February, NPR and other news outlets reported on a leaked draft of an Executive Order titled “Making Federal Buildings Beautiful Again.” According to those reports, President Trump is considering signing the Order, which would re-orient federal architecture in a classical and traditional direction. At present, federal architecture is almost entirely Modernist and post-modernist in design. The draft order states:

“Architectural styles–with special regard for the classical architectural style–that value beauty, respect regional architectural heritage, and command admiration by the public are the preferred styles” for federal buildings and courthouses costing more than $50 million. The Order also requires that all new federal buildings in the nation’s capital be classical.

On Monday, October 19 from 2:00 PM to 3:30 PM ET, the American Enterprise Institute (AEI) will be hosting a web event on “Making Federal Buildings Beautiful Again: The Debate Over the Future of Federal Architecture.”

The speakers are:

Philip Bess, Professor, University of Notre Dame
Michael J. Lewis, Faison-Pierson-Stoddard Professor of Art History, Williams College
Michael Lykoudis, Professor, University of Notre Dame
Justin Shubow, President, National Civic Art Society

The event, which includes audience Q&A, will stream live HERE. You can also RSVP.

Posted in architecture, civic architecture, federal architecture | Leave a comment

Joining the Board of Advisors of the Roger Scruton Legacy Foundation

Roger Scruton speaking at a National Civic Art Society panel on “Beauty and the Human Habitat” at the Phillips Collection in May 2015

I’m pleased to report that I’ve joined the Board of Advisors of the new Roger Scruton Legacy Foundation, which honors the work of the eponymous British philosopher, critic, and author who served on the National Civic Art Society’s Board of Advisors, and who passed away in 2020. In 2018, Scruton was appointed chairman of the UK government’s new Building Better, Building Beautiful Commission, which was established to promote better design of homes and living spaces. In a speech regarding his role on the commission, he said, “Aesthetic values are not arbitrary adjuncts to our intellectual equipment; they are our one sure defence against vandalism, and our way of resisting the forces that are destroying our city centres, and drowning us in junk.”

A brilliant, erudite defender of classical architecture and art, and an advocate for the preeminent role of beauty in human life, Scruton’s work on aesthetics and architecture is some of the very best of its kind. Indeed, he was the greatest philosopher of architecture of his time. A fierce opponent of Modernism, he also distinguished himself by his TV documentary essay “Why Beauty Matters.”

Scruton’s published works include The Classical Vernacular: Architectural Principles in an Age of NihilismThe Aesthetics of Architecture, and Beauty: A Very Short Introduction.

Posted in architecture, beauty, classicism, Modernism, National Civic Art Society, Roger Scruton | Leave a comment

Academic Article on the Eisenhower Memorial Controversy

Patrick Hagopian, Senior Lecturer in History and American Studies at Lancaster University, published a well-researched, peer-reviewed article, “From a ‘New Paradigm’ to ‘Memorial Sprawl’: The Dwight D. Eisenhower Presidential Memorial,” about the making of the National Eisenhower Memorial. (PDF here) It appears in the book Constructing Presidential Legacy: How We Remember the American President (Edinburgh University Press). Hagopian discussed my role in the controversy:

Congressional leaders, conservative journalists, and others picked up on the cues coming from Eisenhower family members [in opposition to Frank Gehry’s design] and from a damning report Shubow had issued. . . .

Members of Congress borrowed a line of attack first mounted by Shubow, citing the need for a verbal explanation of the symbolic meaning of the tapestries. How, he asked, was anyone supposed to know that the trees depicted in the mesh represented the landscape of the Midwest? It could be anywhere, Kansas or Kazakhstan. “Monuments,” Shubow said, “ought to be clear and unequivocal in their meaning . . . . They must be legible without a guide or key, and certainly without a visitor center or iPad. Monuments speak to us even without signage.” Legislators critical of the Gehry design extensively quoted Shubow’s words. They said the memorial “should be self-explanatory so that ordinary Americans will understand the ideas being conveyed without the need of a visitor center or guide.”

Posted in Eisenhower Memorial, Frank Gehry, Patrick Hagopian, uncategorized | Leave a comment

Speaking at the Dallas Museum of Art on October 10

On October 10, 2019, I’ll be giving a public talk at the Dallas Museum of Art titled “Building Dystopia: What Went Wrong in Modern Architecture.” The free event, which starts at 4:00 pm, is sponsored by the Edith O’Donnell Institute of Art History at the University of Texas at Dallas. The talk will be followed by a reception. For more information, click here

Posted in architecture, Modernism, public talks, uncategorized | Leave a comment

A Celebration of Bruce Cole and His Book “Art from the Swamp”

The National Civic Art Society, along with the Ethics and Public Policy Center and Encounter Books, co-sponsored a panel discussion in celebration of Bruce Cole and his posthumously published book Art from the Swamp: How Washington Bureaucrats Squander Millions on Awful Art. Cole was chairman of the National Endowment of the Humanities from 2001 to 2009, and he was a member of NCAS’s Board of Advisors.

In my talk, I discussed the disaster of the Eisenhower Memorial.

Panelists: Roger Kimball, publisher of Encounter Books and editor of The New Criterion
Catesby Leigh, National Civic Art Society Research Fellow
Justin Shubow, President of the National Civic Art Society

Moderator: Ed Whelan, President of the Ethics and Public Policy Center

Date: January 14, 2019
Location: Cosmos Club, Washington, D.C.

Posted in Bruce Cole, Catesby Leigh, civic architecture, Eisenhower Memorial, National Civic Art Society, Roger Kimball | Leave a comment

Panel on the Future of Penn Station

In partnership with Rebuild Penn Station: a project of the National Civic Art Society, Agora presented “The Future of Penn Station,” an evening addressing various proposals to fix the station. I moderated the event, which took place on October 24, 2018 at the W83 Ministry Center in New York City.

PANEL OF SPEAKERS

Kevin Baker, contributing editor to Harper’s magazine who is the author of numerous fiction and non-fiction books, including the City of Fire trilogy.

Richard Cameron, a principal designer at Atelier & Co. in Brooklyn.

Wally Rubin, District Manager of Manhattan’s Community Board Five.

Dani Simons, Vice President for Strategic Communications at the Regional Plan Association.

Samuel Turvey, Chairman of the Rebuild Penn Station Steering Committee, and a Regulatory and Compliance attorney at TIAA.

 

 

Posted in National Civic Art Society, Rebuild Penn Station | Leave a comment

Appointed to the U.S. Commission of Fine Arts

On October 23, 2018, President Trump appointed me to the U.S. Commission of Fine Arts for a four-year term. I was sworn into the Commission at its November 15, 2018 meeting.

The Commission of Fine Arts is an independent federal agency consisting of seven presidential appointees who are the aesthetic guardians of Washington, D.C. The Fine Arts Commission has approval authority over the design and height of all buildings (public and private), monuments, and memorials that front or abut the grounds of the U.S. Capitol and White House, Pennsylvania Avenue, the National Mall and its constituent parks, and other similar sites. The Commission also has review authority over the design and aesthetics of all construction within the city.

The Fine Arts Commission was established in 1910 to supervise the design and construction of new buildings in accordance with the 1901-1902 McMillan Plan, which, calling for classical design, created the National Mall and the surrounding monumental core as we know them. The Commission’s first chairman was architect and urban planner Daniel Burnham.

I am continuing as President of the National Civic Art Society while undertaking my role at the Fine Arts Commission, which meets monthly.

 

Posted in McMillan Plan, monuments, National Mall, U.S. Commission of Fine Arts, Washington, D.C. | Leave a comment

Speaking at Conference on “Culture and Art in a Populist Age”

On October 30, 2017 in Washington, D.C., I’m going to be speaking at a conference on “Culture and Art in a Populist Age” sponsored by the University of Arizona American Culture and Ideas Initiative and the Ethics and Public Policy Center. I’m going to be the respondent for the presentation by Eric Gibson, editor of the Leisure & Arts page of The Wall Street Journal. To quote the official description:

This one day conference explores the immediate future of the arts within the dynamic and controversial political environment that has emerged in the wake of the 2016 elections. How does the recent strand of populism affect the arts and humanities moving forward? Are the high arts insulated from the vicissitudes of quotidian life? Or does a populist surge speak directly to the arts in a post-Enlightenment era? Conference participants are uniquely suited to address these questions.

Featuring:

Heather MacDonald: “Vandals at the Opera House: Identity Politics Comes to the Opera Stage”

Eric Gibson: “Headwinds on the Road to a Democratic Culture”

Roger Scruton: “Why Taste Matters”

Bruce Cole & Daniel Asia: “Consonance and Dissonance in the Music and Art World”

Robert E. Gordon & Aaron D. Mobley: “The Value of Art and Music in a Popular Culture”

Posted in populism, public talks | Leave a comment